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王莎莎 Shasha Wang (Faculty)

  • 包裹隔离Wrap  Isolate1 s
  • 包裹隔离Wrap  Isolate2 s
  • 包裹隔离Wrap  Isolate3 s
  • 包裹隔离Wrap  Isolate4 s
  • 包裹隔离Wrap  Isolate5 s
  • 愈合Healing1 s
  • 愈合Healing2 s
  • 愈合Healing3 s
  • 王莎莎Shasha Wang s

作品名称:《包裹·隔离》 作者:王莎莎 创作时间:2020 材料:创可贴、隔离网 作品简介:2016年起,艺术家王莎莎开始使用创可贴进行创作,《包裹·隔离》是艺术家使用现成之物的作品,她直接将创可贴包裹在隔离网的尖刺上,在疫情之下走向户外进行创作,是对疫情袭卷全球境遇之下,作者的思考与艺术实践结合的结果,渗透着强烈的人文关怀。作品反思了疫情之下恐惧和隔离给人们带来的心理创伤,通过象征关爱的创可贴包裹带刺的隔离网,呼吁全世界的人们在隔离的境遇之中,依然能够释放关爱,相互关怀。作为一名雕塑家,她没有使用传统泥塑或木雕、石雕等材料,甚至一改架上创作的模式,走出工作室,走向户外大胆创作,将西方观念艺术与大地艺术结合,并融入东方哲学,思考人类命题,是一种直接而新颖的艺术实践。

Title: Wrap & Isolate

Author: Shasha Wang

Time:2020

Introduction: Artist Shasha Wang has begun to use band-aid for creation since 2016. "Wrap& Isolate" is a work of the artist using ready-made objects. She directly wrapped band-aid on the spikes of the isolation net and went out to create under the epidemic. Under the global epidemic, the author's thinking and artistic practice combined with strong humanistic care. The work reflects on the psychological trauma caused by fear and isolation under the epidemic. Through a band-aid isolation net that symbolizes caring, it appeals to people all over the world to be able to release care and care for each other in the context of isolation. As a sculptor, she did not use clay、 wood、 stone or other traditional materials. She even changed the creative mode on the shelf. Shasha Wang walked out of the studio and went outdoors to create combining Western conceptual art, earth art, and oriental philosophy. Thinking about human propositions is a direct and novel artistic practice.

作品名称:《愈合》 作者:王莎莎 创作年代:2020 材料:创可贴、自然能山石、华表 作品简介:疫情期间,作者每天往返于西安周围200公里以内的山间、田野、帝陵,在这些人迹罕至的地方创作,并用相机记录下来。她将创可贴贴在天然的石头裂缝中,也贴在帝陵的华表上,试图让人们认识到伤痛的存在,不仅仅是人类自身,还有自然和社会。创可贴在人的皮肤上包裹的是一个创口,可以止住人的伤痛和流血。但把它放在大地的伤口面前却是如此微不足道,小小的创可贴无法愈合它偌大的创伤,如同一道伤疤一样无力。它在提示人类,为什么不能如同对待自己身上的一道伤口一样去对待它呢,去尝试释放自己对人、社会和自然的关爱。

Title of Work: Healing

Author: Shasha Wang

Year of creation: 2020

Materials: Band-Aid, Natural Rock, Huabiao

Introduction of the work: During the epidemic, the author travels to the mountains, fields and emperor tombs 200 kilometers around Xi'an every day. She attached the band-aid to the cracks of natural stones and to the emperor's mausoleum, trying to make people aware of the existence of pain, not only human beings but also nature and society. A band-aid wrapped around a person's skin is a wound that can stop a person's pain and bleeding. But placing it in front of the wound on the earth was so insignificant that a small band-aid could not heal its huge wound, as weak as the same scar. It is reminding human beings why they should not treat it like a wound on themselves, trying to release their love for people, society and nature.

 

疫情之下举办国际网展,是不得已也是必然。好在当我对老朋友Keaton说出这个构想时候,立即得到了他的响应,同时我们也得到了国内外多所高校的支持。我们将艺术家(本身也是教员),和我们作为教员正在从事的工作——网课中优秀的学生作品展示出来,共同诠释一个主题:公共和私人。 家是私人的,家以外的空间是公共的。疫情令我们的公共活动空间变得有限,我们在有限的私人空间中创造艺术,但表达的正是疫情之下的公共关怀。展览采用协同虚拟的方式,为大家呈现出这一特殊时期国际协同下的艺术创作成果。 正如策展人之一Keaton Wynn 所言,家是私密的,展览是公共的。我们希望在国内外共同抗疫的形势下,用在自亚洲、美洲、欧洲三大洲六所国际高校的艺术作品传递相互关爱的公共精神。 策展人:王莎莎 2020年6月

It is necessary and inevitable to hold an international network exhibition under the epidemic situation. Fortunately, when I put forward this idea, I immediately got the response of my old friend Keaton Wynn. At the same time,we got the support of many universities at home and abroad. We will show the excellent works of the artists (who are faculty themselves) and the work we are engaged in as teachers, and jointly present a theme: “public and private”. The home is private, and the space outside the home is public. The epidemic makes our public space limited. We create art in the limited private space, but we express the public care under the epidemic. The exhibition adopts the collaborative virtual way to present the artistic achievements under the international coordination in this special period. As one of the curators, Keaton Wynn said, “the home is private and the exhibition is public”. We hope that under the situation of common mitigation at home and abroad, we can use art works which are from six international universities in Asia,America and Europe to convey the public spirit of mutual love and concern. Curator: Shasha Wang June 2020


严亦贤 Yixian Yan

  • 手套的温度 Temperature of gloves s

作品名:《手套的温度》 作者:严亦贤 创作地点:家里 学校:西安建筑科技大学华清学院 指导教师:王莎莎 在疫情期间,有不少为抗争疫情做出贡献的医护人员。他们是最可爱,最可敬的。这个作品将医护人员显著的特点“医用手套表现出来”,直观的让我们联想到医护人员为我们做出的贡献。手套里装满了水,冰冻成型。外表是医用手套,摸上去确是冰冷的。另一层含义也代表了医护人员们是在这个冬天为疫情做出的努力。希望我们能够铭记,并身怀感恩。

Title:Temperature of gloves

author:Yixian Yan

school:Huaqing College of Xi 'an University of Architecture and Technology

academic advisor:Shasha Wang

During the epidemic, many medical workers contributed to the fight against the epidemic. They are the loveliest, the most respectable. This work shows the distinctive characteristics of medical staff "medical gloves", which intuitively reminds us of the contributions made by medical staff to us. The gloves were filled with water and frozen into shape. The outside is a medical glove, but it is cold to the touch. Another implication is that health care workers are working on the outbreak this winter. May we remember and be grateful.


冯奥莹 Aoying Feng

  • 树1Tree1 s
  • 树2Tree2 s
  • 树3Tree3 s
  • 水资源保护1Water Resources - Protection1 s
  • 水资源保护2Water Resources - Protection2 s

题目: 《“树”》 说明: 用废旧书本剪出的叶子,代替了树上本该存在却因环境原因而掉下的叶子。纸叶的颜色与绿叶形成对比,引申义是说明自然环境遭到了破坏 。这个作品提醒我们应该要保护树木,保护环境,保护大自然,并呼吁我们要始终拥有环境保护的意识,并牢记人类应该自觉的保护环境保护大自然,为自己带来一个更加美好健康的生活环境,也为创建一个健康的社会环境出一份力。 材料: 废旧书本,透明胶带,马克笔 制作过程: 将书本剪成很多叶子,在叶子上写一些句子,在家将叶子上粘好胶带,最后在小区的花园里将叶子贴在树枝上。 创作地点: 小区花园 作者: 冯澳莹 指导老师: 王莎莎 学校: 西安建筑科技大学华清学院

Title: Tree

Explanation: The leaves cut from the old books replace the leaves on the trees that should have existed but dropped due to environmental reasons. The color of paper leaves is in contrast with green leaves, which means that the natural environment has been damaged. This work reminds us that we should protect trees, environment and nature, and calls on us to always have the awareness of environmental protection, and remember that human beings should consciously protect the environment and protect nature, bring a better and healthy living environment for themselves, and contribute to the creation of a healthy social environment.

Materials: Used books, transparent tape, markers

Production process: Cut the book into many leaves, write some sentences on the leaves, stick the tape on the leaves at home, and finally stick the leaves on the branches in the garden of the community.

Creation place: Community Garden

Author: Aoying Feng(Ann)

Instructor: Shasha Wang

School: Huaqing College of Xi'an University of architecture and technology

题目: 《水资源-保护?》 说明: 社会一直提倡珍惜水资源、保护水资源,防治水污染,保护生态环境。虽然很多地方很多人也都有保护、不污染水资源的意识,但是有些人却只说不做。而且还有一些地方宣传和防治水污染不到位,污水处理不恰当;有一部分人也缺乏珍惜和保护水资源的意识。导致有的河流被污水废水污染,而那些河流中的鱼儿们也被废水和污水“杀死”,只剩下了骨头。 黑色塑料袋表示已经被污染的河流;用铁丝扭成的鱼骨头代表已经死掉的鱼;写字的卡片说明人们有保护水资源的意识,但卡片被扔到或掉到了被污染的河流中,说明有些人只说不做,或缺乏保护水资源的意识。 材料: 黑色塑料袋,铁丝,卡片,马克笔 制作过程: 用铁丝制作几十个鱼骨头,在家铺袋子放鱼骨头看效果,最后再在小区池塘实施。 创作地点: 小区池塘 作者: 冯澳莹 指导老师: 王莎莎 学校: 西安建筑科技大学华清学院

Title: Water Resources - Protection?

Note: The society has always advocated to cherish water resources, protect water resources, prevent and control water pollution, and protect the ecological environment. Although many people in many places also have the consciousness of protecting and not polluting water resources, some people just say no. In addition, there are some places where the propaganda and prevention of water pollution are not in place and the sewage treatment is not appropriate; some people also lack the awareness of cherishing and protecting water resources. As a result, some rivers are polluted by waste water, and the fish in those rivers are also "killed" by waste water and sewage, leaving only bones. The black plastic bag indicates the polluted river; the fish bone twisted by wire represents the dead fish; the written card indicates that people have the awareness of protecting water resources, but the card is thrown or dropped into the polluted river, indicating that some people just say nothing or lack the awareness of protecting water resources.

Material: black plastic bag, wire, card, marker

Production process: Use wire to make dozens of fish bones, lay bags at home to see the effect of fish bones.

Place of production: Community pond

Author: Aoying Feng/Ann

Instructor: Shasha Wang

School:Huaqing College of Xi'an University of architecture and technology


刘思远 Siyuan Liu

  • 索取 1Request1 s

《索取》 材料 针管和粘土、铜丝 说明 用针管和粘土还有铜丝做出两个树,用针管来做大树的树干部分,针头在下,用铜丝来做成树冠的部分,寓意不断摄取大地的营养,地面连同树干最终枯萎,第二个树,更换针头位置,以粘土和铜丝做出树冠,用绿色的粘土做出树叶,表现出生命活力,寓意只有适度的索取才能共同生存。

Request

Material Science

Needle tube and clay, copper wire

explain

Two trees are made of needle tube, clay and copper wire, and the trunk part of the tree is made of needle tube. The needle is under the tree, and the crown part is made of copper wire, implying that the earth's nutrition is constantly absorbed. The ground and the trunk eventually wither. The second tree changes the needle position, makes the crown of the tree with clay and copper wire, and leaves are made of green clay, showing life vitality, implying only fitness We can live together only when we ask for more.

创作者(The creator) :刘思远

指导教师(Teacher):王莎莎

创作地点(Creating location):室外

西安建筑科技大学华清学院(Xian University of Architecture and Technology Huaqing College)

绘画1801


姚嘉乐 Jiale Yao

  • 闷1Boring1 s
  • 闷2Boring2 s
  • 闷3Boring3 s
  • 闷4Boring4 s
  • 闷5Boring5 s
  • 闷6Boring6 s
  • 闷Ⅱ boring Ⅱ s

作品名称:《闷》 作品说明:该作品是对疫情期间人们居家生活的反思。那一条条绳子是对我们生活的禁锢,远处的门中漏出些许阳光,代表着人们这段时间对外出的渴望。而这一层层楼梯也反应出我们当时出门是多么困难。门前绳子上挂着的口罩是外出的必备条件,是通行的标志,也是对我们生活出行的一种约束。而这种“戴口罩现象”,也给人类留下深刻的反思和严厉的警告。通过这次疫情我们今后该如何面对人与自然的关系问题,是我们每一个人应该重视的。 材料:毛线、布缝制的口罩 作者:姚嘉乐 创作地点:家和楼梯 学校: 西安建筑科技大学华清学院 指导老师:王莎莎

Title of work: Boring

Work instructions:This work is a reflection on people's home life during the epidemic. The ropes are a barrier to our lives, and the little bit of sunlight from the distant door is a symbol of people's desire to go outside in this period. And the staircases reflected how difficult it was for us to get out. The masks hanging on the rope in front of the door is a necessary condition to go out, a sign of passage. But it is also a constraint on our life. And this phenomenon of wearing masks is also a deep reflection and a stern warning to mankind. through this epidemic, each of us should pay more attention to how we deal with the relationship between human and nature in the future. Material: Wool, cloth sewing mask

The author: Jiale Yao

Creation location: Home and stairs

School: Huaqing College of Xi 'an University of Architecture and Technology

Advisor: Shasha Wang

作品名称:《闷Ⅱ》 作品说明:该作品是对《闷》的延伸,也是对疫情期间我们居家生活的思考。相信在这段时间人们最离不开的就是各类电子产品,这也是当代大多数年轻人生活的必须品。正因为这样所以我们免不了一直要用眼睛盯着看,给身体造成了一定的危害。甚至很多人都会盯着看很久不让眼睛得到放松。在这种情况下,我们忽略了窗户的存在,它可以让我们看向外面,可以让我们的眼睛得到短暂的放松。窗户上的毛线,仿佛是把我们心灵的“窗”封锁起来,棋子上面写着的“➖ ”(减号)号,更能反应出我们心中已经遗忘或者去掉了窗户原本的含义。这也是给当代大多数年轻人保护自己身心健康的一个警示。 作者:姚嘉乐 创作地点:家 学校: 西安建筑科技大学华清学院 指导老师:王莎莎

Works name: boring Ⅱ

Work instructions:This work is an extension of "Boredom" and a reflection on our home life during the epidemic. I believe that in this period of time, people can not do without all kinds of electronic products, which is also a must for the life of most young people. It is because of this that we inevitably have to stare with the eyes all the time, causing some harm to the body. Many people will even stare at it for a long time without letting their eyes relax. In this case, we ignore the presence of the window, which allows us to look out and can give our eyes a short respite. On the window yarn, asing if is the "window" sealed off of our hearts, pieces of reads "➖" (minus), more can reflec.

The author: Jiale Yao

Creation location: home

School: Huaqing College of Xi 'an University of Architecture and Technology

Advisor: Shasha Wang


崔一心 Yixin Cui

  • 静止At ease s

□作品名称:《静止》 □作品说明:岁月静好,疫情停息,防护服束之高阁,可好?阳光已经泼洒在这片土地上,天使们也完成了她们的任务,她们的“翅膀”也在尽情的沐浴着阳光。 正所谓待凛冬离去,雪融草青,相信一定有新的相逢将温暖延续 。希望各国的疫情早些结束,防护服高高挂起,让它们也在悠闲地午后沐浴阳光,祈祷所有人平平安安,一切重回常态。致敬所有白衣使者,致敬守护生命的英雄。世界和平,国泰民安! 学校:西安建筑科技大学华清学院 指导老师:王莎莎 作者:崔一心 材料:防护服 衣架 地点:休闲区 

The title:《At ease》

instructions: Time is quiet, the epidemic has stopped, protective clothing shelved, ok? The sun has spilled on the land, angels have completed their tasks, their "wings" are also enjoying the sunshine. Is the so-called to leave winter, snow melt grass green, I believe there must be a new encounter will continue the warmth. Let's hope the outbreak ends soon, the protective suits are up, and that they too are enjoying a leisurely afternoon in the sun, and that everyone is safe and everything is back to normal. To all the emissaries in white, and to all the heroes who protect life. World peace, peaceful country and peaceful people!

School :Huaqing College of Xi 'an University of Architecture and Technology

Advisor :Shasha Wang

Author :Yixin Cui

Materials :protection suit coat hanger

site :leisure area


崔懿方 Yifang Cui

  • 颠倒之城3Upside-down City3 s
  • 你看不见我吗Cant you see me s

《 你看不见我吗?》 创作者:崔懿方 指导老师:王莎莎 这件作品用镜子,仿真花,玻璃纸还有pvc板一起制作而成 镜面上用玻璃纸做成破碎的质感,围绕镜子的三角形有的贴上了玻璃纸,有的则是纯白色。 花是代表美好的象征,所以我用永不凋零的仿真花来装饰镜子。 就算在一个群体中,总会有人感到孤单,认为身边的人不理解自己,消极的觉得自己干什么都不好,不自信。 看见这面镜子时希望大家能突破表面去看内在,每个人都是世界上独一无二的宝藏。

Can't you see me?

Creator: Cui Yifang

Advisor: Shasha Wang

This piece is made from mirrors, simulated flowers, galss paper and PVC boards The simple sense that makes broken with cellophane on mirror face, the triangle that surrounds mirror some was affixed cellophane, some is pure white. Flowers are a symbol of beauty, so I decorate the mirror with imitated flowers that never fade. Even in a group, there will always be people who feel lonely, who think that the people around them do not understand them, and feel negatively that they can do nothing well and are not confident. When you see this mirror, I hope you can look beyond the surface and see inside. Each of you is a unique treasure in this world.

《颠倒之城》 创作者:崔懿方 指导老师:王莎莎 制作材料:塑料球,玻璃纸 pvc板 塑料外壳里面放了揉皱的玻璃纸。 最大球体里面的楼房用pvc板切割制成,pvc板更坚硬不容易损坏。 疫情期间城市都暂时失去了原本的美好生活,人们像被罩在透明的外壳里,不能走出家门交流。 但是尽管如此,生活还是充满希望,就像在球体里的这座城市,下面的球体支撑着着这座城市带给他力量。 外面缠绕了很多小灯泡,像星星一样,晚上可以亮起来。

Upside-down City

Creator: Cui Yifang

Advisor: Shasha Wang

Production materials: plastic ball, cellophane PVC board Inside the plastic case is crumpled cellophane. The building inside the largest sphere is made of PVC boards, which are harder and less prone to damage. During the epidemic, cities were temporarily deprived of their original good life, and people were like being covered in a transparent shell, unable to communicate outside their homes. But in spite of this, life is full of hope, like the city in a sphere, and the sphere below sustains the strength of the city. A lot of small bulbs wrapped around the outside, like stars, can be lit up at night.


李岩 Yan Li

  • 保护1protect1 s
  • 保护2protect2 s
  • 保护3protect3 s

《保护》 创作者:李岩 学校:西安建筑科技大学华清学院 地点:家 指导老师:王莎莎 作品说明: 用纽扣做成一个环扣的样子,表示将树木保护起来不被破坏。随着人类以牺牲环境为代价,来发展经济,给大自然带了了无法挽回的伤害。而纽扣系在树木上面则代表一种打开的关系,这也同时说明了人类与自然的和谐共处。

《Protect》

Protection Creators: Li Yan

School: Huaqing College, Xi'an University of Architectural Science and Technology.

College Location: Home

Instructor: Sasha Wang

Description:Make a button-up of a button to protect the tree from damage. As human beings develop their economy at the expense of the environment, they bring irreparable harm to nature. But buttons tied to trees represent an open relationship, which also illustrates the harmonious coexistence of man and nature. .


江甜 Tian Jiang

  • 连接1connection1 s
  • 连接2connection2 s

《连接》 材料:麻将 表达:不管什么时候,麻将连接起人与人。即使任何时间点,人们只要随手触摸到,就又把断了的联系重新连接起来。

Connection Material: Mahjong

Expression: no matter when, mahjong connects people. Even at any point in time, as long as people touch it, they will reconnect the broken connection.

作者:江甜 Author: Jiang Tian

地点:河边 Location: Riverside

指导老师:王莎莎 Advisor: Shasha Wang

学校:西安建筑科技大学华清学院 School: Huaqing College of Xi 'an University of Architecture and Technology


焦若凡 Ruofan Jiao

  • 局部  part s
  • 生命线2The Lifeline2 s
  • 局部 2part2 s
  • 局部part s
  • 网The Net1 s

作品:《生命线》 作者:焦若凡 创作地点:医院 学校:西安建筑科技大学华清学院 指导老师:王莎莎 这幅作品正如它的题目《生命线》,象征着疫情期间人们对于生命的向往,对于生命的尊重,以及对于生命的拯救。在疫情期间,医院就是病人与医生的公共空间,生命线也就是心脏跳动的波动线,前段平稳后端起伏,象征着生命的复苏,病床上以及床架上散落的医疗器具象征着医生对于生命的拯救,而散落与床的照片便是病人充满阳光自信的笑容,象征着人们对于生的希望,墙上的图片便是医疗人员拯救生命的时刻。最终,在医生不懈的努力下,在病人坚定的信念下,两者相辅相成,终于完成了生命的拯救与升华,也对应了生命线的重新跳动,这就是生命的魅力,这就是《生命线》。

Work: The Lifeline

Author: Ruofan Jiao Jiao

Location: Hospital

School: Huaqing College of Xi 'an University of Architecture and Technology

Advisor: Shasha Wang

Just as its title "Lifeline", this work symbolizes people's yearning for life, respect for life and saving life during the epidemic. During the outbreak of hospital is a public space with the doctor, the volatility of the lifeline, that is, the heart beats line, smooth in the back-end ups and downs, a symbol of the life of the recovery, scattered on the bed and bed frames of medical appliance is a symbol of a doctor for life saving, and patients with scattered pictures of the bed is full of sunshine confident smile, a symbol of the people for hope, the pictures on the wall is to save the lives of medical personnel. Finally, under the unremitting efforts of the doctor, under the patient's firm belief, the two complement each other, and finally completed the life of the rescue and sublimation, also corresponds to the lifeline to beat again, this is the charm of life, this is the lifeline.

作品:《网》 作者:焦若凡 创作地点:阳台 学校:西安建筑科技大学华清学院 指导老师:王莎莎 这幅作品的名字叫做《网》,在这个网中,这个囚笼中挣扎的人们迫切的想要出去,并为此不惜一切代价,正如疫情中的病人一样,充满了生的希望。而在网外,则是指导这些人走出去的指路者,也就是疫情中的医生。网中的人们哪怕挣扎的断手断脚也想要脱困而出,代表了病人们对于生的渴望,也让我们这些健康的人明白了生命的珍贵,也让我们明白了生命的希望。

Works: The Net

Author: Ruofan Jiao

Location: Balcony

School: Huaqing College of Xi 'an University of Architecture and Technology

Advisor: Shasha Wang

This work is called "The Net", in this net, the people in the cage desperately want to get out, and to do so at any cost, just like the patients in the epidemic, full of hope. And off the grid, it's the people who guide these people out, the doctors in the epidemic. People in the net want to get out of trouble even if they are struggling with broken hands and feet, which represents the patients' longing for life, and also makes us who are healthy understand the preciity of life and the hope of life.


王加毅 Jiayi Wang

  • 自食其果1self feeding series1 s
  • 自食其果2self feeding series2 s

作品名:自食其果系列 作者:王加毅 创作地点:家 学校:西安建筑科技大学华清学院 指导老师:王莎莎 自食其果系列1-保护海洋 Self feeding series - protecting the ocean 自食其果系列2-保护森林Self feeding fruit series - Forest Protection 作品说明:这两幅作品均采用现成品创作,把“海洋”和“森林”两个大环境展现在小小的餐桌上,其含义为:我们如果不重视保护海洋、森林生态,继续过量的制造海洋垃圾、肆意排放污水,滥砍滥伐,那么生态资源受到影响的同时也会影响我们人类自己,这样下去无疑于自掘坟墓。我们曾经的所作所为让它变为从了上至下的顺序,那我们也一定可以将它变为从下至上的顺序,保护环境就是保护人类自己。

Work name: self feeding series

Author: Jiayi Wang

Creation place: Home

School: Huaqing College of Xi'an University of architecture and technology

Instructor: Shasha Wang

Description: both of these works are created with ready-made products. They show the two environments of "ocean" and "forest" on a small dining table. The meaning is: if we don't pay attention to the protection of ocean and forest ecology, continue to produce excessive marine garbage, arbitrarily discharge sewage, and deforestation, then the ecological resources will be affected as well as our own, so To go down is to dig your own grave. What we have done has changed it into a top-down order. Then we can certainly change it into a bottom-up order. To protect the environment is to protect ourselves.


罗雅方 Yafeng Luo

  • 追光Tracing the Light 1 s
  • 追光Tracing the Light 2 s
  • 追光Tracing the Light 3 s
  • 追光Tracing the Light 4 s

作品名称∶《追光》 作者∶罗雅方 创作地点∶家门口小区 学校∶西安建筑科技大学华清学院 指导老师 ∶王莎莎 作品中是小熊与大熊在清晨的第一束阳光中迎接新的一天,在小区的窗户上被禁锢。虽然身处铁窗内,但依然对这个世界有着希望,它们的眼里还有光。就像是2020年初的我们,对快乐的感受能力在不断趋于零。我们不能在电影院捧着爆米花大笑,只能在家里揣着手机无奈加速。我们不能在公共场合扯下口罩畅聊八卦,只能忍受口罩下闷着热汗的皮肤。我们不能在原本人声鼎沸的地下舞池跳动,只能在家里对着电视机甩动胳膊。当负面新闻不断充斥生活的时候,我们会发现,疫情对于一部分人的影响远比想象得来的更深刻。但幸好,我们总能看到一些人奋力挺过寒冬的故事,难受着难受着,也有人努力挺过来了。就像《我不是药神》里说的那样:“愿世界变好,不是因为救世主,而是因为追光者。”在这世上,有太多我们没看见的追光者了。 它们还代表被关在动物园的动物们,虽然被保护,但每天被人关起来喂养,观看,失去了原本的野性 ,失去了自由, 不在从心底里快乐,但依然活着,等待在看到阳光的那一刻。我希望总有一天、随着人类社会的不断发展,我们可以与动物、与这个世界达到一种平衡的关系 。

Title of work: "Tracing the Light"

Author: Caroline Fong

Place of creation: Front door Community

School: Huaqing College of Xi 'an University of Architecture and Technology

Advisor: Shasha Wang

In the work, little bear and big Bear greet the new day in the first beam of sunlight in the morning and are imprisoned on the Windows of the community. Though they are behind bars, they still have hope in the world and light in their eyes. Like us at the beginning of 2020, the ability to feel happy is going to zero. Instead of laughing with popcorn at the movies, we have to speed up at home with our cell phones. We can't take off the mask to chat and gossip in public. We can only endure the hot skin under the mask. We couldn't dance on the floor where it used to be so loud. We had to swing our arms at home to the TV. When the negative news constantly fills our lives, we will find that the impact of the epidemic on some people is far more profound than imagined. But fortunately, there are always stories of people struggling through the winter, suffering and struggling through it. As dying to Survive says, "May the world get better, not because of the Savior, but because of the Seeker." There are too many light seekers in this world that we don't see. They also represent the animals in the zoo, although protected, but every day people shut up to feed, watch, lost the original wild, lost freedom, not from the bottom of my heart happy, but still alive, waiting for the moment to see the sun. I hope that one day, with the continuous development of human society, we can reach a balanced relationship with animals and the world.


谢雨垚 Yuyao Xie

  • 隔离时我们在做什么谢雨垚What are we doing during quarantineYuYao Xie 1 s
  • 隔离时我们在做什么谢雨垚What are we doing during quarantineYuYao Xie 2 s
  • 隔离时我们在做什么谢雨垚What are we doing during quarantineYuYao Xie 3 s

《隔离时我们在做什么》 作者:谢雨垚 指导老师:王莎莎 创作地点:自己家的公寓 该作品至少有三个组成部分:一,围绕着这栋公寓画的白线。二,这栋公寓。三,这个QQ群。我想探讨的是,再这样一个疫情的空间里,人们被自我隔离在家,那么公共空间,将不再是我们可以随时到达的地方。这就诞生了另一个最全新的、也是一个既是私人又是公共的空间,那就是网络空间。我们疫情期间,都在利用网络与外面的世界交流。他成为了最有效也是最便捷的交流工具。再这一时刻,他将与人类更加密不可分。

《What are we doing during quarantine》

Author: YuYao Xie

Advisor: Shasha Wang

Where to create: My own apartment

The work has at least three components: first, the white lines drawn around the apartment. Second, this apartment. Third, the QQ group. What I want to talk about is that in space filled with epidemic like this, where people self-quarantine at home, the public space will no longer be a place where we can enter at any time. This gives birth to another completely new space, one that is both private and public: cyberspace. During the epidemic, we have been using the Internet to communicate with the outside world. It became the most effective and convenient communication tool. At this moment, it will be even more inseparable from mankind.


赵悦彤 Yuetong Zhao

  • 构建私密1Building privacy1 s
  • 构建私密2Building privacy2 s
  • 构建私密3Building privacy3 s

《构建私密》 《Building privacy》 设计说明:钢筋混凝土砖块,是公共建筑的基础,安全帽工作服,是工人们私人的物品。工人们用笨重的建筑材料,在开放的空间搭建出一坐坐楼房,这样我们便有了我们自己私密的家

Design specification:Reinforced concrete bricks are the foundation of public buildings, helmets and overalls, and personal belongings of workers. Workers use heavy building materials to build a sitting building in the open space, so we have our own private home

作者:赵悦彤

创作地点:陕西省西安市长安区

学校:西安建筑科技大学华清学院

指导老师:王莎莎

Author: Yuetong Zhao

Creation place: Chang'an District, Xi'an City, Shaanxi Province

School: Huaqing College of Xi'an University of architecture and technology

Instructor: Shasha Wang


陈明 Ming Chen

  • 希望 Hope s

作品名称:希望 作者:陈明 地点:丰裕口 学校:西安建筑科技大学华清学院 指导老师:王莎莎 作品说明:材料:绿草 气球 卫生纸 白线 各种罐子 筛子 在这张图片中,我们可以看到口罩、筛子、卫生纸、气球和一片绿植,它们分别象征着一些人和事。例如,那只筛子就象征着这次疫情中给人们带来痛苦与折磨的病毒,那些白色的卫生纸代表着人们抗疫的艰难道路,五彩的气球代表着在这次疫情中顽强抵抗、迎难而上的人们,而那片绿植,则代表着人们顽强不屈、历经千辛万苦终将会达到的安全原地。抵抗疫情,每个人都在努力,相信我们一定会打赢这场没有硝烟的战争!

Title: Hope

Author: Chen Ming

Location: Fengyukou

School: Huaqing College of Xi 'an University of Architecture and Technology

Advisor: Shasha Wang

Materials: green grass, balloons, toilet paper, white thread, various POTS, sieves

In this picture, we can see masks, a sieve, toilet paper, balloons and a green plant, which symbolize something and someone respectively. The sieve, for example, a symbol of the outbreak of virus that bring the pain and suffering, those white toilet paper represents a difficult road to resist disease, colorful balloons represent in this outbreak, grasped the nettle of brave resistance or the people, but that piece of green plant, represents the people indomitable, after hardship will eventually achieve the safety of in situ. Fight against the epidemic, everyone is working hard, I believe we will win the war without smoke!


雷迦砚 Jiayan Lei

  • 变迁1A Change s
  • 变迁2A Change s

作品名称:《变迁》 Title:A Change 作者:雷迦砚 Author: Jiayan Lei 创作地点:室外楼梯 Place of creation: corridor 学校:西安建筑科技大学华清学院 School:XI`AN UNIVERSITY OF ARCHITECTURE AND TECHNOLOGY HUAQING COLLEGE 指导老师:王莎莎 MY guide teacher: Shanshan Wang 作品说明: 从最早的结绳记事到布和纸的出现再到现在网络的发展。有网络的今天,特别是疫情期间,人们记录和传播信息的要求更加频繁,一些重大事件的发生与记录第一时间在网上传播。作品选用的材料是绿色卡纸、纱布、以及数据线,里面用笔做固定。用它来展示人类社会信息记录与传递的发展历程。我将它命名为《变迁》。

Work description: What it wants to express is a development process of recording and spreading events from ancient times to modern times. From the earliest rope record to the emergence of cloth and paper to the development of the Internet. Today, when there is a network, especially during the epidemic, people need to record and spread information more frequently. The occurrence and recording of some major events spread on the Internet at the first time. The materials I choose are green paperboard, gauze and data line, which are fixed with pen. It is used to show the development process of information recording and transmission in human society. I named it 《A change》.


韩意莹 Yiying Han

  • 拯救3save3 s

《拯救 save》 学校:西安建筑科技大学华清学院 指导老师:王莎莎 材料:地球仪 木屑 针管 在这个冬天我们的地球生了一场大病。2020年的春天来的好晚,新冠肺炎让我们每个人带上口罩,让我们只能在家等待春天的到来。这张照片是由地球仪和一些针管租成的,我把针管插在地球仪的旁边还有一些针管插在地球仪的上面,想表达救治地球的意思。 School:西安建筑科技大学华清学院 Advisor: Shasha Wang Material: Wood chip needle for globe There has been a serious illness on our earth in this winter. So late in the spring of 2020, COVID-19 has us all wearing masks, leaving us to wait for spring at home. This photo is rented by a globe and some needles. I put the needle next to the globe and some needles on the top of the globe to express the meaning of saving the earth.


高伟 Wei Gao

  • 图片 1 s
  • 图片 4 s
  • 图片 5 s

题目:《背后的身份》 说明:此次病情大家虽然带着口罩,但是背后的风采依旧飘扬。 虽然大家都戴着口罩,可背后还是可以看出每一个人的身份,比如棒棒糖就是小朋友们最喜欢的食物等...虽说每一个人都有不同的特征等,但是很多物品还是象征新的把老少幼分的很清晰。 材料:口罩,棒棒糖,烟,口红 作者:高伟 创作地点:医院 指导老师:王莎莎 学校:西安建筑科技大学华清学院 Title: 《Identity behind》 Note: Although we wear masks this time, the style behind is still floating. Although we all wear masks, we can still see everyone's identity behind us. For example, lollipops are children's favorite food... Although everyone has different characteristics, many items still symbolize the new very clear division of the old and the young. Materials: mask, lollipop, cigarette, lipstick Author: Wei Gao Place of creation: Hospital Instructor: Shasha Wang School: Huaqing College of Xi'an University of architecture and technology


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